Cinema does indeed have a long tradition of representing a certain decade’s societal mores within its frames, as well as the horror genre is no exception. Following World War II, the 1950s have seen the rise of atomic horrors; the 1960s featured more social and personal horrors from Alfred Hitchcock, Roman Polanski, and George Romero; the 1970s invested in stories through modern horror geniuses like Stephen King and delved even more into sci-fi/horror territory; the 1980s focused on big-money brands and low-budget slasher films, and the 1990s focused on the eve. However, decades before most of the new horror films made their appearance. There were decades of early cinematic pioneers leading the way for anything that followed.
Importance of Sound for Horror Movies
The Changeling (1980) is a film that has been listed as a strong influence by directors, including Martin Scorsese and Alejandro Amenabar. Still, it may not have the same degree of mainstream attention as, say, The Exorcist. Maybe it’s because it’s a film in which what you see isn’t all that significant, so there’s no blood as well as guts and rather little special effects. It’s more about the vibrations instead.
Sound has often been an important component in horror films. Curiously, we refer to the early representations as silent films even though they were irrelevant. In 1895, a guitarist appeared at the first public showing of the Lumiere brothers’ films. This soon developed into composed scores, including sound effects created by theatre organs that can imitate pouring rain, thunder, horse gallop, and several other aural effects.
Soon after, improvising music and effects became less fashionable, and written scores became more important. Nosferatu (1922), for example, featured an original score by German composer Hans Erdmann. When the film was originally released, it was done with live orchestral music. Still, no recording was ever produced, and all prints of the film were intended to be lost due to copyright infringement. (We’re fortunate that a few versions have lasted for us to appreciate today.) Many of the initial scores were missing, but portions of them were recently reconstructed. What we might still hear of that now is more than just a soundtrack to the film; it creates excitement and contributes to our fear of the enigmatic Count Orlok, deploying bells and sliding scales to heighten the suspense.
First Horror Film with Sound
The first ‘talkie’ horror film was Warner Bros’s second sound film – The Fear (1928), which utilized a Vitaphone sound disk with sounds including creaky doors. So, the role of sound in setting atmosphere was never in question in the film industry, and it still works in well-crafted films like The Babadook (2014).
It is nothing quite like a creepy sound to create anticipation. One of the strongest films for demonstrating this is The Changeling. All in that film revolves around sounds you experience. The story foreshadows the significance of sound from the outset. Before we get to the story, the first sound you hear is the wind-blowing sound.
Horror Sounds on Vinyl Records
Who doesn’t like horror films? Including horror vinyl in your album collection is also important. Music is extremely necessary for horror films because it provides mood and suspense. That is why filmmakers take their time in selecting the right score for their works of art. Think Dario Argento and the music to his iconic Deep Red (Profondo Rosso). When Pink Floyd turned him down, he turned to jazz composer Giorgio Gaslini. However, he was dissatisfied with his performance and decided to seek another guitarist before he was satisfied. Since music and audio constitute half of every film, this degree of meticulousness and obsession are needed. Without it, horror films will be boring. That is why there are so many horror movie vinyl albums with very catchy vinyl record sleeves on the market now.
Cleaning Vinyl Records
We’ll have to clean old vinyl records to achieve the right pitch which could be done by using vinyl record cleaner or even vinyl record cleaner machines. Vinyl albums tend to collect dust and grime. Any song, fresh or old, requires particular attention to keep it clean of crackles, clicks, and scratches. Physical media, especially vinyl, takes a little more attention than digital files and would not decay if played forever. Furthermore, oil from one’s hands will eat away at the surface of vinyl, lowering its worth. If you follow these steps for cleaning vinyl albums, you won’t have to worry about dust or maybe fingerprints. To hold your vinyl records safe, follow the measures below:
· Remove dust as well as static with something like a record brush.
· Examine the record for obvious defects.
· Cleaning fluid can be sprayed on troubled places.
· Wipe clean in a circular motion.
· The record should be rinsed and dried.
· To avoid future issues, store vinyl records properly.